American stage director Alan E. Hicks has spent the past two decades in professional opera and theatre, first as a singer, then a teacher, finally turning his attention to stage direction. His work as a director has been described as “powerful and deeply moving,” “imaginatively directed,” “absolutely brilliant,” “gorgeous,” and “real magic.” He has directed productions for organizations throughout the United States and in Europe including Minnesota Opera, Palm Beach Opera, Tulsa Opera, Opera Santa Barbara, Miami Music Festival, Green Mountain Opera Festival, Saint Paul Chamber Orchestra, Franco-American Vocal Academy in Salzburg, Shenandoah Conservatory, the University of Texas at Austin, and the University of Iowa. Alan has also served on the directing and production staffs of Central City Opera, Chautauqua Opera, Florida Grand Opera, Lyric Opera of Chicago, Michigan Opera Theatre, New York City Opera, Seattle Opera, and Tulsa Opera. In 2013, he was appointed Director of the Emerging Artist Program at Green Mountain Opera Festival, a position he held until the company's closing in 2015. Recent engagements include Ariadne auf Naxos for Minnesota Opera, L’elisir d’amore for Opera Santa Barbara, Albert Herring and Die Zauberflöte for Shenandoah University, and Albert Herring and The turn of the screw for the Miami Music Festival. In addition to his work with such venerable operatic performers as Renée Fleming, Stephanie Blythe, Silvia McNair, Spiro Malas, Greer Grimsley, and Thomas Hampson as well as rising stars Erin Morley, Kate Lindsey, Brian Jagde, Amber Wagner, and Nadine Sierra, Alan has also assisted Broadway veterans Susan Strohman and Sam Buntrock. A native of Mississippi, Alan holds degrees in Education, Vocal Performance, and Opera Directing from Mississippi State University, Rice University, and The University of Texas at Austin (respectively). Alan is a member of Actors' Equity Association (AEA) and the American Guild of Musical Artists (AGMA).